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In Australia, the Bradman story detached from the Bradman reality some time ago, taking on the qualities of myth: as defined by Georges Sorel, a faith independent of fact or fiction, where the normal processes of attestation and falsification are suspended by unconscious agreement.
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On the face of it, the answer appears to be: not much. He avoided the public eye, courted no controversies and scorned fame’s usual accoutrements But with Bradman’s death on Februcomes a question: what difference will it make to his legend now that, for the first time, it has obtained a life independent of his corporeal existence? Fewer still can have justified an autobiography at the age of 21, and the last of many biographies at the age of 87, without surfeiting or even satisfying public curiosity. Yet, in its degree and duration, especially in Australia, Bradman’s renown is as much a source of wonder: he was, as Pope wrote of Cromwell, “damned to everlasting fame”.įew figures, sporting or otherwise, have remained an object of reverence for more than half a century after the deeds that formed the basis of their reputation.
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One can only marvel at the statistics, and the one batting average that nobody need ever look up. The story of Sir Donald Bradman always involved more than cricket – more even than sport. Written shortly after Sir Donald Bradman’s death in 2001, Gideon Haigh looked at the legacy of the greatest batsman ever to grace the game.